FOUR RUSSIANS (in four minutes)

With this posting, we stray away from jazz, but with these four composers, we very much maintain the concept of "What would Miles do?"

It is humanly impossible to discuss even one Russian composer adequately on a blog post, but have a quick read anyway. Anyone who takes music seriously must know something about these four men.

Stravinsky came first. To be fair, Tchaikovsky, Rimsky-Korsakov, Rachmaninov and many others came before him, but for this discussion, Igor Stravinsky started it all.

Igor Stravinsky 1882-1971

He didn’t invent it; he just tweaked everything that had come before him so it sounded like he invented something new. His invention, sometimes called neoclassical, became 100 years of new music. That’s what great artists do: They tweak conventional thinking, and riots ensue. They blow art out of the water with new beauty, painful at times, but ultimately, lasting, inspirational beauty.

In 1913, Igor Stravinsky instigated riots in Paris with the premiere of The Rite of Spring. Le Sacre du Printemps’ or simply ‘Le Sacre’. This music was so new and challenging that the audience began screaming and booing within minutes; all mayhem broke out in the theater and spilled out onto the streets.

Le Sacre can be uphill listening for novices, so you might try Symphony of Psalms instead, a three-movement piece written nearly twenty years after Le Sacre and possibly one of the two or three best compositions ever composed for orchestra and choir. Intense from the outset, the first movement of full-on symphony and choir requires the wearing of a seatbelt, and the choral lamentations in the third movement leave one either breathless or in tears.

Sergei Prokofiev 1891-1953

Our second Russian composer is Sergei Prokofiev, who, while only nine years younger than Stravinsky, became widely known with Peter and the Wolf and Romeo and Juliette, but there is so, so much more to Prokofiev. Unlike many twentieth century composers, this man had the amazing talent for combining challenging contemporary harmonies with the most beautiful of melodies. You might start with his string quartets. Then try his Concerto for Violin and Orchestra no.1 and no.2. I prefer No. 1, but both are gorgeous. Try also his piano concertos and sonatas. Totally mind-blowing power and beauty.

Dmitri Shostakovich 1906-1975

Dmitri Shostakovich, our third on the list, has become a household name and needs little

introduction. Only fifteen years younger than Prokofiev, he takes music further still. He is known best for his fifteen symphonies, many of which have strong socio-political themes. However, Shostakovich’s essence is more easily uncovered in his other works. My favorite? His Preludes and Fugues for piano. The string quartets are a must listen, as is his Cello Concerto No.1.

Alfred Schnittke 

The fourth and last in this discussion is Alfred Schnittke (1934-1998). Schnittke’s works show influences from all three of the above composers, but he took them further, into new frontiers of harmony and rhythm, while always featuring beautiful melodies that are heart wrenching at times. In most great works, there is tension and resolve; in Schnittke’s works, tension and resolve often occur simultaneously, creating huge emotional and musical impact. Try his Requiem. Try his concerto for piano and strings. Explore his Symphony No. 8. Then move to violin sonatas and piano sonatas. There is much more.

So there. You have four influential composers from Russia who have changed the world of music. Humanity should consider themselves extremely fortunate to have lived in a time when the musical genius of these giants was accessible through recordings, published works, and performances.